Guest post from Joe Smith, Kim Hammond and George Revill , The Open University The Earth in Vision project is exploring the potential and significance of digital broadcast archives (DBAs), looking at environment related media as a case study. We are working specifically with fifty hours of BBC broadcast archive of environmental programmes from the late 1950s onwards. In addition to …
i-Docs & beyond: 5 things to consider
At the end of March, i-Docs 2014 took place and although I documented the event through Storify, it’s been a struggle to pull together my key takeaways as Hot Docs, Webdox, i_doc Workshop and TFI Interactive seemed to continue so many of the themes and expand upon them in interesting ways. So this has now become a much longer, two-part …
From iPad to installation: interactive documentary on multiple platforms
Avatar Secrets, the interactive documentary for the iPad has scaled up its ambitions, installing a large scale interactive installation at Hot Docs for the duration of the festival. This is the first time that an interactive documentary has been included in the programme of North America’s largest documentary festival and it’s great to see Ramona Pringle’s work has been picked up. …
Webdox 2014: hands-on workshops & inspiration for online storytellers
Here is the great news: this year i-Docs and Webdox are exploring the same areas, but in different ways, and in different places. i-Docs 2014 (Bristol, 20-21th of March) was organised around three themes that seemed topical to us: new production models, how to assess engagement and evaluation and new i-docs territories & platforms. We had two amazing days of explorations and, …
i-Docs 2014: catch up from day two
A slightly belated catch up from the second day of i-Docs 2014, scroll down to see what went on! A selection of the sessions have also been recorded and will be available online over the coming months, so keep your eyes peeled. [View the story “i-Docs 2014: Friday 21” on Storify]
i-Docs 2014: catch up with day one
As day one of i-Docs draws to a close and delegates head towards our special performance of Choose Your Own Documentary, you can catch up with the huge amount of talks, top moments and awesome projects that have been discussed by scrolling through our Storify below: [View the story “i-Docs 2014: Thursday 20” on Storify]
The Prisons Memory Archive: Questioning and Engaging with Interactivity at i-Docs 2014
Guest post from Laura Aguiar, Cahal McLaughlin and Jamie McRoberts Queen’s University Belfast The Prisons Memory Archive (PMA) is an ongoing research project and its aim is to offer possibilities of engaging with the story of the ‘other’ in a society that is emerging from decades of political violence. One way of doing this, we believe, is through interactive documentary. …
New Documentary Ecologies: Emerging Platforms, Practices and Discourses
Guest post from Kate Nash, one of our keynote speakers at i-Docs 2014. How can we begin to conceptualise the way in which documentary is being re-thought in light of contemporary media cultures and technologies? This is the central question that the contributors to New Documentary Ecologies: Emerging Platforms, Practices and Discourses explore. Taking ‘the ecological’ as a heuristic that …
Interactive documentary for the iPad: Ramona Pringle on Avatar Secrets
Avatar Secrets – an interactive documentary for the iPad – explores the complexities of human connection in the wired world, examining the evolving nature of community, relationships, empathy and interdependence in the real world, and in the digital frontier. I caught up with Ramona ahead of her talk at i-Docs 2014 to find out more about Avatar Secrets and her step …
Choose Your Own Documentary in Tribeca Storyscapes section
Exciting news from Tribeca last week as they announce their selections for the upcoming festival. Five projects made it into the interactive Storyscapes section, including Choose Your Own Documentary – a show which is part of i-Docs 2014! Tribeca Film Festival’s Storyscapes, created in collaboration with BOMBAY SAPPHIRE Gin, is a juried section at the Festival to showcase innovative and interactive …
Bjarke Myrthu on the role of the interface in an i-doc
“The interface is content” says Alexandre Brachet from Upian. What does this mean? The interface is no just a way to navigate through content, it is a way to place the user within a story space, and by doing so it gives roles, it explains the possibilities, it generates feelings in the users… and it therefore becomes a type of …
Mike Robbins: lessons learned from testing Highrise and OFFSHORE
Mike Robbins, from Helios Design Lab (the guys behind NFB’s Highrise, OFFSHORE and 17,000 Islands) has participated to the UX Series by responding to Question 5: Rapid prototyping and testing: what to test for, and when, in i-doc production? I asked Mike to tell me about the way they’ve been testing their projects and… interestingly enough… I learned that they …
A Door Into The Dark at i-Docs 2014
We are pleased to announce that i-Docs 2014 delegates have the chance to experience ‘Door Into The Dark’, a work-in-progress from current Pervasive Media Studio residents, Anagram: Just a block down from the busy conference, a door into the dark has been installed. Be led by the hand into a world of characters who know the true meaning of being lost …
Reflections on Firestorm: Guest post from Mary Mitchell
The following is a guest post from Mary Mitchell with her thoughts on the Guardian’s interactive documentary, Firestorm. The Guardian’s second foray into interactive documentary, ‘Firestorm’, is a beautifully crafted piece of immersive storytelling. Centered on photographs taken by The Holmes Family family fleeing a Tasmanian bushfire, the project crafts interviews, photographs, text and a breathtaking soundtrack into a linear structure. …
the UX Series Q4: who is the user?
Our previous question in the UX Series was: what is purpose in an i-doc? Purpose is important because it encapsulate, hopefully in one sentence, the shift that we want the user to have while going through our interactive experience. Purpose is NOT our own reason to produce a story, but rather the effect we want it to have on the …
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