Interactivity, collaboration and activism A guest post from one of this years speakers Paulina Tervo. Background – why did the story turn into an interactive project? In 2004 I came across a small community called Awra Amba during my travels in the rural parts of Northern Ethiopia. Having seen a lot of poverty and hardship on my trip, I was …
epopee.me: an interview with Rodrigue Jean
The first time you take a look at Epopée.me, it feels like this project is a very minimalist interactive documentary. In fact, the interaction goes beyond the digital world and expands into the streets of Montréal where marginalized people struggle to live their life. Rodrigue Jean, who started the project, tells us a bit more about Epopée. I-docs.org: Can you tell …
Interactive Media: the first 40 years
A guest post by Brian Winston. People might remember Barbara Kopple’s Oscar winning documentary Harlan County, USA. It was about a bitter strike in the Kentucky coal-fields in 1974. Most memorably, the company goons were so out of control they even started shooting at the film crew. But my memory of Harlan County coverage is a little different. It centres on …
Immersive reporting: the scene in 360 degrees
Photography first, and now 360-degree video have served to experiment with spatial immersion in digital journalism in order to give the spectators the option to see the scene as it revolves around them, in any direction. These days there are more and more interactive reports and documentaries using this resource. Spatial immersion is spreading. I this article I wrote for La Vanguardia I explore how spatial immersion …
Call for Political Remix Videos
The call for Political Remix Videos (PVRs) is open until December 25th 2011. EMBED, together with the European Cultural Foundation and the Doc Next Network, call for international PVRs. Works participating will become part of EMBED events. Some of them will be included in the Doc Next Network media collection. Since last year, EMBED has been collaborating with the Doc Next Network …
Some Thoughts on Social Change through Story-telling
In addition to their obvious contributions to non-fiction narrative media, the unique characteristics of interactive documentary may find another area of usefulness in cultural and social anthropology, especially as paradigm shifts continue to evolve regarding the power relationships between those being “studied” and those who are doing the “studying.” Beginning in the 1960s, traditional techniques for conducting ethnographic field research …