The emergence of VR and 360 video as non-fiction platforms has been the single most dramatic development since the last i-Docs Symposium in 2014. A wave of enthusiasm and experimentation has followed the appearance of the Oculus Rift and its competitor products – with creators fascinated by the documentary potential of 360 immersion and the visceral sense of presence that …
Gaming Revolution: Vassiliki Khonsari on bringing real stories to interactive narratives
Named as one of the top 5 highlights of Sundance 2015, 1979 Revolution in an action/adventure game which immerses players into the gritty, euphoric streets of Iran in the midst of the revolution. I caught up with Vassiliki Khonsari – co-founder of iNK Stories – who is producing the game to find out more about their work. Could you describe yourselves …
Meet the makers: 5 interactive documentaries at i-Docs 2016
The i-Docs symposium has always been built around a conversation between academics and industry, with delegates from both fields present. i-Docs 2016 is no different, except this year the symposium is spread over three days, meaning more talks to choose from. Check out a selection of the great projects that will be presented below. Good Luck Soup I first heard about …
Gaming the news: Juliana Ruhfus on pushing the boundaries of investigative journalism
Award-winning journalist Juliana Ruhfus has spent a decade working as a reporter and producer for British and international broadcasters, specialising in programme making and investigative work. I caught up with her ahead of i-Docs 2016, where she will be talking about her interactive journalism projects with Al Jazeera: Could you describe yourselves and your work? I am a senior reporter and …
Interactive & immersive true stories for the body, as well as the mind
Anagram spent 2015 scooping the Storyscapes award at Tribeca Film Festival, staging immersive experiences at the Tower of London, forming part of the Performing Reality line-up at IDFA Doclab 2015 and creating an immersive documentary installation directed by Caroline Williams, at the Young Vic Theatre that sought to humanise the Syrian war. I caught up with Amy Rose and May Abdalla ahead of their participation at i-Docs …
Simplicity & storytelling: Catch up on IDFA DocLab 2015
VR is the big showstopper at the moment, with a lot of festivals and conferences focusing on grappling with the issues of making non-fiction work in this new medium. In this whirlwind of hype, it feels as though projects using other methods of interactive storytelling are sidelined – or at least don’t receive the attention they deserve because they aren’t this years big thing. …
To VR or not to VR: this is not the question
I was at IDFA DocLab earlier in the week and my head is still spinning with VR experiences that showed me the limit between the so called 2D “screen media” and the 3D “immersive media”. I have to admit: I find it difficult to get my own prospective on this change of canvas. What is this extra 3rd dimension adding …
Projects selected from the first interactive documentary call of Catalan Broadcasting Corporation
The Catalan Broadcasting Corporation (CCMA) opened last year the first call to coproduce interactive documentary. The projects selected were published a few weeks ago. Of the 28 projects presented in this first call, the Department of Digital Media and Documentary of the CCMA and New Television Formats of Television of Catalonia (TV3) selected six projects, in accordance with their current …
Digging deeper into the IDFA 2015 Doclab selection
Fifteen projects are competing for the IDFA 2016 DocLab Award for Digital Storytelling this November – some are playful experimentations, others explore complex situations and all employ new techniques to tell a story. Here’s a run-down of them all, with handy links to each project (if available): The Deeper They Bury Me by Ted Biggs/Angad Bhalla (Canada, 2015) An NFB project, The Deeper They …
Digital Me is more than your digital you
Digital Me is now live on BBC Taster. By entering it, you start a conversation with your digital alter ego in the world wide web. The entity that you have been building since you started your online social live is now somehow alive and wants to meet you. What can it tell you about yourself? Will your perception of yourself be influenced by this …
i-Docs 2016: Call for Participation
The CALL for PARTICIPATION is now CLOSED Following the success of the i-Docs Symposia in 2011, 2012, and 2014 we are now seeking proposals for papers, case studies and projects for i-Docs 2016. To reflect the rapid expansion and evolution of the field, and growing interest within academia and creative practice, we are expanding the Symposium to take place across …
i-Docs 2016: First Speakers Announced
i-Docs 2016 is shaping up to be our best event yet, with three packed days of presentations, panels, hands-on workshops and discussions taking place at the Watershed in Bristol March 2nd-4th. To give you a taste of things to come, we’re excited to be able to confirm that we will be joined by keynote speakers May Abdalla and Amy Rose aka Anagram …
It’s Not You, it’s Me – The Fly-on-the-Wall Documentary and Virtual Reality
By Katy Morrison – Producer at VRTOV . We talk a lot about Virtual Reality. What to make, how to make it, why we should be making this thing instead of that other thing. And yet while the promise of VR — be anywhere! Come face-to-face with anything or anyone! — is expansive, the conversation is not. Aside from the constant …
Interactive documentary, immersive journalism & the future of TV: 4 hacks looking for participants
The cross-discipline nature of interactive documentary production has led to the adoption and development of different production styles – one of which is the hackathon. For those who don’t know, the hackathon model has its’ roots firmly in the software world, but has been modified and adapted to work with interactive projects, bringing new benefits for participants. They draw together people from …
Funding, production & distribution: what happens when industry meets interactive documentary
There were a few panels at this year’s SunnySide of the Doc festival which focused on transmedia and interactive documentary developments in specific regions. I attended both the Nordic and German panels to get a sense of where Northern Europe – specifically industry – is, in terms developing, funding and distributing this type of content. The Nordic panel involved 3 transmedia producers with SWIM, seasoned Norwegian …